Alton and Aaliyah by Dolapo Demuren
Alton and Aaliyah by Dolapo Demuren I had to play make-believe with my sister: had to come to tea, to baking class, to the hospital for checkups, to the aid of an ailing insect with family in Kentucky, Aaliyah would say one day, or Tanzania another. Even if my entrance or profession were different, I played the same man, had the same purpose: to be visible, to find a way around walls, announce my absences promptly, discern how much longer we could go on, be father. I told her the things I wanted her to believe: that the droves of clouds, invisible at night, buffalo’d east and would come back, that those stars blotted by the metropolitan air were hidden because they needed rest, that if we moved I would grab one for her, and plant it in an empty cardboard box so that part of this sky could follow us. When Aaliyah slept, her braids glistened with oil, glinted with the thousand eyes of her imagination. By then, I’d already crept in bed beside mother in the other room— stuck in wonder over the promises father left in our heads when he left.
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Dolapo Demuren is a Nigerian-American writer from the Washington D.C. metropolitan area. He received his B.A. in Writing Seminars from Johns Hopkins University and M.F.A from Columbia University. Currently, he is a doctoral candidate in Education at the University of Southern California. His honors include a fellowship from the Cave Canem Foundation and The Academy for Teachers, as well as scholarships from the Bread Loaf Writers Conference. His poems and other writings are featured in the Adroit Journal, Frogpond Journal, Prelude Magazine, and Small Orange Journal. He teaches creative writing at the University of Maryland College Park, where he is currently the Associate Director of the Jiménez-Porter Writers’ House.



